The Hills and the Rivers Pittsburgh, Pennsylvania
Post-apocalyptic river folk. From the roots to the branches, the springs to the sea.
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supported by 15 fans who also own “The Leap”
fell into Days n' Daze when I was travelling, thanks to some of my road dogs. I don't have that freedom anymore but I feel a piece of it Everytime I listen to their music. love y'all!
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supported by 11 fans who also own “The Leap”
I remember when I first discovered Holy Locust, seeing a live performance that I was having trouble seeing over the heads of Bridge City Sinners lmao! But I have been in love with this album ever since I heard it. My homie has it on in his car constantly. The music is so rich and textured and beautiful, I'll never get over how amazing it is! Truly a masterpiece!
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supported by 11 fans who also own “The Leap”
this album truly feels like a journey. there is a strong atmosphere of transience and solidarity, a feeling of constant change. if you commit yourself to listening through, you will come out a different person.
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Sanguine but uplifting, the Toronto singer-songwriter's "transfigured" folk songs ponder existential themes with grace and wonder.
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Long Time To Be Gone
by Nora Brown
Nora Brown continues to bring nuance and resonance to her modern interpretation of Appalachian folk and bluegrass on her latest LP.
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Postcards From the Country
by Trae Sheehan
West Virginia country-folk singer-songwriter Trae Sheehan aims to find a balance between the traditional and the modern on his new LP.
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supported by 10 fans who also own “The Leap”
from the first listen i fell in love with this band !
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